We speak with Andy Crysell about his new book, Selling the Night, which uncovers the awkward relationship between nightlife ...

Editor and writer Mark Sinclair picks his favourite book cover designs of this year, plus opens with a few reflections on industry trends that have emerged in 2022 Last year I began CR’s round-up of ...

Documentary photographer Craig Easton photographed his series Bank Top in 2019 and 2020, the body of work named for the small pocket of Blackburn, England in which it was made. The aim was to tell an ...

As such, a new film for SickKids Foundation – an organisation raising funds for Canada’s Hospital for Sick Children – stands out as a rousing call to arms. Created by the foundation’s new agency, FCB ...

London-based illustrator Olivia Twist had an early introduction to the world of visual creativity. Her grandad showed her how to draw when she was four or five years old, and more importantly how the ...

When Penguin Modern Classics decided to bring back its Crime and Espionage series, one design feature was surely inevitable. For Penguin readers, crime is synonymous with green. The colour has been a ...

Eric Gill’s statue outside the BBC in 2019. Image: Shutterstock/Willy Barton It’s no secret that monuments and statues have become increasingly contentious in this country. Yet in mid-January, a man ...

The campaign by Nord DDB sees McDonald’s acknowledge its instantly recognisable packaging as being one of the biggest contributors to littering in cities Takeaway packaging is the third largest source ...

When we think about historical artefacts, the images that come to mind are often ones of documentation – the sort of photographs that live in a dusty archive somewhere or in the pages of an equally ...

Writer and comedian Danny Pellegrino was recently quoted in Vogue on his belief that “nostalgia is a powerful drug” that we “clutch onto even tighter during turbulent times”. I know what he means.

Magazines are often searching for what’s next. Yet this year has been one where nobody has known what is around the corner, and it’s forced us all to pause, take stock and reflect. It’s a collective ...

BBC Creative and ManvsMachine collaborated on the channel’s new idents, which are designed to offer a “livestream of the nation” BBC One’s new idents position the channel as the glue between us all.