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Filmmaker
6 天
The Best Films of 2024 As Chosen by Some of Its Key Filmmakers
Yet cinema at its best has always offered a lens to confront, process and perhaps even find meaning in the chaos. This list ...
Filmmaker
9 天
Hits & Misses 2024: Case Studies of Six Sundance 2024 Premieres
Citing the more than $100 million global gross of Longlegs, a NEON-produced wide-release serial-killer movie, as some kind of ...
Filmmaker
6 天
“I Keep My Local 600 Card So I Can Operate”: Rachel Morrison on The Fire Inside
Morrison spoke with Filmmaker at this year’s EnergaCAMERIMAGE, where The Fire Inside screened in competition. The movie opens ...
Filmmaker
10 天
Careless People: Mark Asch on Gamification, Impunity and 2024 in Film
For one thing, the juror’s car is a midsize SUV from Grisham’s mid-1990s heyday, not a fortress (the 2024 Toyota 4Runner is ...
Filmmaker
6 天
Considerations: The Best Picture Shortlist
Every Tuesday Tyler Coates publishes his new Filmmaker newsletter, Considerations, devoted to the awards race. To receive it ...
Filmmaker
8 天
Creating Composed Chaos: DP Jasper Wolf on Babygirl
All three of these features were shot by prolific Dutch cinematographer Jasper Wolf, who has worked with other Dutch auteurs ...
Filmmaker
1 天
Sony Venice 2
Publication with a focus on independent film, offering articles, links, and resources.
Filmmaker
9 天
“The Process of Dehumanization that Happened to the Palestinians”: Kamal Aljafari on A ...
It’s been a busy year for Kamal Aljafari. One of the most innovative voices working in contemporary found footage cinema, the ...
Filmmaker
7 天
Christmas with Art the Clown: DP George Steuber on Terrifier 3
As the Terrifier series has continued to grow in popularity—the third entry has made $90 million so far on a $2 million ...
Filmmaker
8 天
Cinema is Not a Sport: My End of the Year List, 2024
At the end of each year comes the excitement of listing my favorite released films. This is a moment where I like to reflect ...
Filmmaker
8 天
“Apple Changed the Whole Landscape of How You Market a Product”: Sebastian Pardo on ...
That scroll follows a template set by the opening credits of the film, carefully designed—down to the minutiae of the font—by ...
Filmmaker
2 天
A Complete Unknown
We use cookies on our website to give you the most relevant experience by remembering your preferences and repeat visits. By clicking “Accept All”, you consent to the use of ALL the cookies. However, ...
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